Wednesday, 23 November 2011
Monday, 14 November 2011
Digipak analysis
Digipak analysis: AC/DC Let there be Rock
The front cover is basic with a simple band shot of them playing with a clear bold title and band logo. It gets across who it is and what it is. Different in that most albums tend to have cover art instead of photography. The back has another photo along with the track list and copyright information in a simple font along the side. Again clear and to the point. The inside front cover has more photography instead of any album art carrying on the trend of simplicity and clarity. The inside back cover has close up photo of the guitarist playing again a simple piece. It shows who they are and what they do. The cd has the same print on it as the front cover.
Wednesday, 9 November 2011
April
TesseracT
Genre Characteristics:
Highly distorted guitars, samples and dirty vocals.
Highly distorted guitars, samples and dirty vocals.
What is the relationship between lyrics and visuals
the lyrics appear onscreen during the song
the lyrics appear onscreen during the song
What is the relationship between music and visuals?
None really apart from the lyrics
None really apart from the lyrics
Are there close-ups of the artist and star image motifs?
Nay.
Nay.
Is there references to notion of looking?
Nein.
Nein.
Are there intertextual references?
Iie!
Is it performance-based, narrative-based or concept-based? How much of each?
100% Concept.
100% Concept.
A Tout Le Monde analysis.
A Tout Le Monde
Megadeth
Genre Characteristics: Standard thrash sound. Distorted guitars and fast pace. Megadeth change the formula with a slightly slower pace than say Metallica or Anthrax but has a more technical sound and longer solos. The lyrics are meaningful which isn't rare but this song is widely regarded simply for it's meaning. The fact that it sounds awesome is just a bonus.
What is the relationship between lyrics and visuals:
The name of the song is to my friends in French. It’s about leaving and the visuals have have a woman running and finding others in a post-apocalyptic world.
What is the relationship between music and visuals?
It’s performance based when there is a solo.
Are there close-ups of the artist and star image motifs?
Yes there is both close ups of both Dave Mustaine and Christina Scabbia who both perform vocals in this video. A star image is the screens in the background and the “emergency broadcast”.
Is there references to notion of looking?
A few verses have the musician looking towards the camera.
Are there intertextual references?
Not really.
Is it performance-based, narrative-based or concept-based? How much of each?
It’s a half and half performance and narrative based.
Tuesday, 8 November 2011
Friday, 4 November 2011
Copy of permission letter
Megaforce Records
P.O. Box 1955
New York NY 10113
To Megaforce Records
I am writing to request the use of one of the songs by Anthrax from the album Persistence of Time called Got The Time to use in in my media coursework. We have to produce a music video using an existing song and I have chosen this song. I need permission to use the song first however and thus am writing to you.
Your faithfully.
Scott Witchell.
P.O. Box 1955
New York NY 10113
To Megaforce Records
I am writing to request the use of one of the songs by Anthrax from the album Persistence of Time called Got The Time to use in in my media coursework. We have to produce a music video using an existing song and I have chosen this song. I need permission to use the song first however and thus am writing to you.
Your faithfully.
Scott Witchell.
Monday, 10 October 2011
Name of song: Frantic- Metallica
Features:
Genre characteristics:
Fast pace as is most thrash..
What is the relationship between lyrics and visuals?
The lyrics mostly reference the end of the video.
What is the relationship between music and visuals?
The video is fast paced and skips regularly.
Are there close-ups of the artist and star motifs?
Yes mostly of the artists however.
Is there reference to the notion of looking?
There are regular looks into the camera but it is not the norm.
Are there intertextual references?
None that I can spot that reference any other Metallica song.
Is it performance-based, narrative-based or concept-based? How much of each?
Performance-based and narrative-based split roughly 50/50 between the two.
Name of Song: Land of Confusion- Disturbed
Features:
Genre Characteristics:
Reasonably fast paced mostly clean vocals.
What is the relationship between lyrics and visuals?
The lyrics directly reflect the visuals up to words and meaning
What is the relationship between music and visual?
Both fast paced and keeps pace.
Are there close-ups of the artist and star motifs?
Yes there is close ups of the mascot/main character of the narrative
Is there references to the notion of looking?
No due to it being an animated music video
Are there intertextual references?
Yes the mascot is there which is present in several music videos of theirs
Is it performance-based, concept-based or narrative-based?
Completely narrative-based and it's animated. Story is how corporations take over the world and how they are stopped by the people.
Name of Song: Children of the Grave -Black Sabbath
Features
Genre Characteristics:
Distorted guitars, Ozzy.
What is the relationship between lyrics and visuals?
Live version so visuals are of the performance
What is the relationship between music and visuals?
Visuals are of the performance so the relationship is intrinsic
Are there close-ups of the artist and star image motifs?
Is there references to notion of looking?
Are there intertextual references?
None. It seems to be a reasonably recent video however (for them)
Is it performance-based, narrative-based or concept-based? How much of each?
100% performance based. IT is a live version. There is no other video.
Thursday, 6 October 2011
Music video analysis.
Name of Track: We've got a situation here.
By: The Damned Things
Genre Characteristics: Fast paced song but the video is telling a story and thus sticks to a more reasonable pace. When the video changes to the climax the song has changed too and the vocals turn fro clean to dirty and distorted. This video unlike many of it's peers within the genre is comedic and reasonably successful at it. It doesn't take itself seriously and it works because of it.
Relationship between lyrics and visuals: The lyrics have little to do with the music video. The song is entitled We've got a situation here but the video has them develop the ability to shoot laser beams from their instruments and help the world. But the final verses change to how they've come undone and one scene is the drummer shooting someone who cheated him at cards.
Are there close ups of the artist and star image motifs: Close ups of each member througout the video. Scott Ian probably has the most close ups although he is probably the most recognisable member of the band. The vocalist also gets a sizeable amount of close ups but he too is from a recognisable band prior to this one as well.
Is there reference to the notion of looking: The only part is at the start and even that may not count. It is a very narrative video. Towards the end when they are doing their superhero work they are looking towards the camera while a newspaper story flash sideways.
Are there intertextual references: None that I can spot
Is it performance based, narrative or concept: Mostly narrative with a twist of performance it has a very strong story throughout the video.
Media theorist
David Gauntlett: Web 2.0
Theorised that the web is evolving from individual pages made and worked on by individuals. Web 2.0 is where the web as a whole is all connected and worked on by the public. Everyone is a broadcaster telling their ideas and showing their creativity
Barthes: Semiotics
System of signs and signitures. Denotation and Conotations. The audience decodes the signs and understands it by how they deciphered the words and language. So each persons opinion and how they understand a text is entirely dependant on their individual situation.
Molvey: Male Gaze
Women are dangerously subject to the 'male gaze'. They are objectified by male directors. Supposedly denies them power and equality and objectifies them in music videos.
Andrew Goodwin: Theory of the music video
Visuals illusrate/contradict/amplify. They show what's going on, directly echo lyrics or tell a story. The song sometimes has nothing to do with video, concept. Abstract.
Amplify illistrates but makes bigger/better.
Genres have thier own musical style+Iconography.
There is always close ups.
Voyeurism is common
Intertextual references are often in their appearance.
Gramsci: Hegemony
Radical elements get mixed into the mainstream culture eventually tempering it and making it less 'radical'
Gilmoor: The notion that audience are having a revolution in the construction of their own media.
Lyotard: The media is self aware and changes itself.
Neale: Identified genres by audience expectations.
Theorised that the web is evolving from individual pages made and worked on by individuals. Web 2.0 is where the web as a whole is all connected and worked on by the public. Everyone is a broadcaster telling their ideas and showing their creativity
Barthes: Semiotics
System of signs and signitures. Denotation and Conotations. The audience decodes the signs and understands it by how they deciphered the words and language. So each persons opinion and how they understand a text is entirely dependant on their individual situation.
Molvey: Male Gaze
Women are dangerously subject to the 'male gaze'. They are objectified by male directors. Supposedly denies them power and equality and objectifies them in music videos.
Andrew Goodwin: Theory of the music video
Visuals illusrate/contradict/amplify. They show what's going on, directly echo lyrics or tell a story. The song sometimes has nothing to do with video, concept. Abstract.
Amplify illistrates but makes bigger/better.
Genres have thier own musical style+Iconography.
There is always close ups.
Voyeurism is common
Intertextual references are often in their appearance.
Gramsci: Hegemony
Radical elements get mixed into the mainstream culture eventually tempering it and making it less 'radical'
Gilmoor: The notion that audience are having a revolution in the construction of their own media.
Lyotard: The media is self aware and changes itself.
Neale: Identified genres by audience expectations.
Tuesday, 27 September 2011
Thursday, 22 September 2011
Take 1 treatment.
Video Treatment.
Got the Time by Anthrax
Starts with clock spinning round very fast during the bass intro.
As soon as guitar starts changes to band in a room with either a lot of clocks or with a clock as the background (done by editing)
First line of lyrics is “Wake up got another day to get” so visual would be a quick flash of several people getting up or waking up. Switch to a flick through of many types of landline phones at the next line of lyrics and maybe a few mobiles and payphones until the line: “No such thing as tomorrow” Where it changes back to the band and mostly the frontman+Mic stand. White background with clock motif or if I figure out how to do it a clock as the background with the hands going round very fast. This carries on for this chorus and for all other choruses.
Next set of lyrics have camara mounted in front of a walking person as they shove past and through people, this is also sped up. Change to watch the person's watch briefly which has stopped. Chorus again which stays same style as before. As the solo kicks in begin to have clocks falling off the walls and smashing or otherwise stopping. Another flash show of all theses clocks failing or falling through various methods. Once the bass part of the solo happens have a single clocks be the focus falling down very slowly to accompany the bass.showing the slow fall of the clock and the bass player and rest of band. During final chorus have the same as before but also have other methods that films and media use to show time passing (like the sun rising/setting fast or a calender flicking through it's pages) showing either faded with the band still showing if possible or otherwise full screen.
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